Sylvie Blum – From Muse to Master into the Museum of Contemporary Art

As a child Sylvie Blum already knew that she wanted to become an artist. Her interest in art, fashion, architecture, design, pop art, music, movie making and photography became lifelong passions.

Austrian-born Sylvie Blum started a career in modeling prior taking the helm as a photographer. Sylvie has worked as a well-known art and fashion model for 16 years in front of the camera with esteemed photographers such as Helmut Newton, Jan Saudek, Lucien Clergue, Jeanloup Sieff.

In 1991 Sylvie met legendary artist and photographer Günter Blum and became “his model, his muse, his wife”. By his side, Sylvie refined her understanding of light, composition, dark room techniques and other aspects of photography.

After her husband’s long illness and death in 1997, Sylvie bought a Polaroid SX-70 and initially started photographing herself and published her first book “Venus” in 2000. Christie's New York sold her Polaroids from the “Venus” Collection in 2014. A picture of her Polaroids was on the cover of the Christie’s auctions catalog.

Selected artworks from the shop

CANDY LIPS I, 2014 by Sylvie Blum

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CANDY LIPS IV, 2014 by Sylvie Blum

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THE TREE OF LIFE, 2018 by Sylvie Blum

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MILK One, 2015 by Sylvie Blum

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HANNA ONE , 2014 by Sylvie Blum

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POP LIPS III, 2016 by Sylvie Blum

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STEPHANIE I, 2019 by Sylvie Blum

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BIRDS, 2019 by Sylvie Blum

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PALM SPRINGS II, 2016 by Sylvie Blum

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THE PIGEON, 2017 by Sylvie Blum

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THE GIANT HAT, 2019 by Sylvie Blum

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By Sylvie Blum

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Get in touch.

Interested in more details or our exclusive collections? Contact us via email for all your inquiries. Dive into the elegance of Sylvie Blum's photography with us!

More About Sylvie Blum

Fascinated by artistic nudes, as they were so perfectly presented in the 1930’s by photographic legends such as George Hoyningen-Huene or Horst P. Horst, Sylvie Blum started creating body fragments, photographic torsos that attain an almost sculptural impression in the artistic lighting and delicate gradation of gray tones. However, the sources of her inspiration are far more varied. Photographs from her bewitching photo series Nudes revealed the spectrum of her work.

From 2002 - 2019 Sylvie published 5 art books dedicated to the human form. Her pop art "selfies" soon became famous amongst art collectors and museums.

Whether on the trail of Ansel Adams, Leni Riefenstahl or Herbert List, her images all have something in common. Sylvie Blum gives them something modern and perfects the fine art photography with the utmost aesthetic quality. Sylvie has found her spot in contemporary photography. British Maxim stated “... Sylvie is the Ansel Adams of the nude female form.”

In 2005 Sylvie relocated to the USA, soon working on different art projects. Sylvie met David Fahey in Los Angeles, who soon became her mentor and artistic inspiration.

In 2011, her book "Naked Beauty" edited by David Fahey was published by TeNeues Publishing group. The Fahey Klein Gallery exhibited her work together with iconic photographer Herb Ritts.

Sylvie: “A naked body is endlessly exciting and timeless. All these expressive details, textures, shapes and forms inspire my imagination as an artist. I embrace the classic aesthetic of hard light, clean angles and strong graphic to create shapes, abstracted forms or even a sculpture. I am not subject to beauty standards. My art shows the inner and outer beauty of a human being. Beauty is everywhere and everyone is beautiful in front of my camera. Driven by my boundless imagination I discover the endless possibilities of beauty and the fascination of the human body.”

In 2008 Sylvie produced her iconic "Big Cat" series, showing naked women surrounded by lions and tigers.

The Museum of Contemporary Art MOCA in BANGKOK exhibited Sylvie Blum’s work titled “Naked Beauty” in a 10,000 sqft exhibition showing 300 images. Sylvie Blum’s iconic images remain in the permanent collection and exhibition of the MOCA.

With her Art work Sylvie is a contributor to the Aids Monument in Los Angeles as well as a supporter of the “Bridge Home” initiative by the Major of Los Angeles.

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